Co-directed by Anthony Marwood and Richard Lester, Peasmarsh Chamber Music Festival has emerged from the acclaimed Florestan Festival, directed for fourteen years by the recently retired, award-winning Florestan Trio.
Anthony Marwood performs worldwide as soloist with many notable orchestras, and enjoys regular collaborations with Les Violons du Roy in Canada (he currently holds a three-year position as Principal Artistic Partner), the Norwegian Chamber Orchestra (Artistic Partner in the 2016-17 season), Tapiola Sinfonietta in Finland, Australian Chamber Orchestra and the St Louis Symphony in the USA.
He has worked with conductors including Valery Gergiev, Sir Andrew Davis, Thomas Søndergård, David Robertson, Gerard Korsten, Ilan Volkov, Jaime Martin and Douglas Boyd. In 2015 he toured with the New Zealand, Sydney, Tasmanian and Adelaide Symphony Orchestras, and this year makes his debut with the New World Symphony in Miami, returns to A Far Cry in Boston, and appears at Festivals in Sanguine Estate in Australia, Lockenhaus in Austria, Bridgehampton, New York and Lanaudière in Quebec, where he will perform Beethoven’s violin concerto. Further ahead, he will make his débuts with the Leipzig Gewandhaus Orchestra and the English Chamber Orchestra, and will tour both the United States and Europe with Les Violons du Roy. He also returns to the Amsterdam Sinfonietta for a Dutch tour and will perform Brahms’ Double Concerto with Alexander Rudin at Tchaikowsky Hall in Moscow.
His regular chamber music partners include Thomas Ades, Martin Fröst, Steven Isserlis, Lawrence Power and Aleksandar Madžar. In the 2014-15 season he was a featured artist at London’s Wigmore Hall.
Anthony has made more than 30 CDs for the Hyperion label, both as soloist and as a former member of the Florestan Trio; he has also recorded for EMI, BIS and Wigmore Live. His latest recording for Hyperion, of Walton’s violin concerto, will be released in the near future. Many composers have written concertos for him, including Thomas Adès, Steven Mackey, Sally Beamish and, most recently, the young American Samuel Carl Adams.
Anthony was named Instrumentalist of the Year by the Royal Philharmonic Society in 2006, and made a Fellow of the Guildhall School of Music and Drama in 2013. He is co-director of the Peasmarsh Chamber Music Festival with cellist Richard Lester and appears annually at the Yellow Barn Festival in Vermont. He has a close association with the Australian National Academy of Music in Melbourne and the Pettman National Junior Academy in Auckland. His teachers have included Emanuel Hurwitz and David Takeno. He plays on a 1736 violin by Carlo Bergonzi.
Leading chamber-musician, solo-cellist, orchestral principal and renowned teacher, Richard Lester appears regularly at the world’s foremost concert venues and festivals.
He studied in London at the RCM with Amaryllis Fleming and in Germany with Johannes Goritzki. He was a member of the award-winning Florestan Trio, a founder-member of the ensemble Domus, a member of Hausmusik and the London Haydn Quartet. Equally at home on both period instruments and ‘modern’, he was for many years principal with the Orchestra of the Age of Enlightenment and has been principal cello with the Chamber Orchestra of Europe since 1989. In addition he is frequently called upon to be guest-leader of the cello sections of the major London orchestras, appearing with many of the world’s finest conductors and soloists.
He has performed as concerto soloist with, among others, Chamber Orchestra of Europe, Orchestra of the Age of Enlightenment, Camerata Salzburg, BBC Scottish SO, Scottish Chamber Orchestra, Manchester Camerata and the Ulster Orchestra, under conductors including Claudio Abbado, Nikolaus Harnoncourt, Paavo Berglund, Sandor Vegh, Myung Whun Chung and Sir Roger Norrington. He has also appeared as director and soloist with COE, OAE, Academy of St Martin-in-the-Fields, London Mozart Players, Irish Chamber Orchestra, and in Montreal and Quebec with Les Violons du Roy.
The Florestan Trio was one of the world’s leading piano trios and for almost seventeen years the group maintained the same personnel, winning the Gramophone award in 1999 and the Royal Philharmonic Society award in 2000. Many of its records are benchmark recordings, nominated in collectors’ guides. The trio disbanded in 2012, finishing their career with a sold-out Beethoven series in London’s Wigmore Hall.
Richard Lester is regularly invited to take part in chamber-music festivals around the world. He is artistic co-director, together with violinist Anthony Marwood, of the highly successful annual Peasmarsh Chamber Music Festival in East Sussex.
He has made over 40 highly acclaimed recordings, twice winning the Gramophone award for best chamber-music. His recordings of the complete works of Mendelssohn for cello and piano and a disc of Boccherini sonatas on period instruments are available on the Hyperion label.
Richard Lester teaches at the Royal College of Music in London. He gives masterclasses worldwide, and is a frequent guest teacher in Canada at the Banff Center and at Domaine Forget.
He plays on a cello made in Brescia, c.1700, by G.B. Rogeri
Simon Mortimore QC Chairman
The Festival is managed by Anna Rowe, Festival Manager, Maud Saint-Sardos, Assistant Festival Manager and Hal Hutchison, Concerts Manager, with considerable voluntary support from Sue Schlesinger, who manages the Festival Box Office, the Friends of Peasmarsh Church and Fiona Mortimore, the Friends Administrator.
The Festival is also particularly grateful to the Vicars, Churchwardens and members of the respective Parochial Church Councils of the Church of St Peter and St Paul in Peasmarsh and St Mary the Virgin Church in Rye, the festival’s two principal venues.
All festival management enquiries should be directed to Anna Rowe at email@example.com
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Registered address: Landgate Chambers, Rye, East Sussex TN31 7LJ
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